Crime, Women and Comedy: an insight into writing humorous female-led fiction

Kiss, Marry, Murder is set in the leafy environs of Barnes in south-west London. I call it ‘urban cosy crime’, because while it borrows some of the tropes of a traditional murder mystery, it also flouts the rules occasionally with – gasp! – sexual exploits, bad language and not a pensioner-aged sleuth or village vicarContinueContinue reading “Crime, Women and Comedy: an insight into writing humorous female-led fiction”

It’s been a moment…

Well. It all went very quiet for a while there. It’s fair to say my writing life the past few years has been… tense. Erratic. Painful. Non-existent, on occasions. So it’s difficult, to know where to start with the story. At the beginning, I suppose! When I won the Comedy Women in Print award inContinueContinue reading “It’s been a moment…”

APRIL: FOOL

FOOL to think the winter was over! Sitting here today, I’ve seen sunshine, rain, hail, thunder and lightening while I work – talk about four seasons in a day, I think it was four seasons in an hour! There’s not been much going on this month. I’m waiting for final edits from my agent toContinueContinue reading “APRIL: FOOL”

How it started… how it’s going…

Someone asked me last week, what it was like to be a debut author. It’s weird, because to be honest, I don’t feel very debut-like anymore, although as far as the glacial timelines of the publishing industry go, it’s entirely possible I could be considered ‘new’ for another 23 years. But the initial excitement andContinueContinue reading “How it started… how it’s going…”

That difficult second album

It’s been a funny six months since I got my literary agent. Time seems to have slowed down, or is passing in larger chunks, I’m not sure which. I no longer speak about the process of writing in weeks, but in months, or years even. At a micro-level, things are happening. My first novel hasContinueContinue reading “That difficult second album”

What I learned about pitching at the London Book Fair

Being ready can take a long time I started writing The PTA Assassin two and a half years ago. When it was done, I followed up with the first edit. Then a second one. Then a massive third edit took place last year when I paid someone professional to look at it. Since then it’sContinueContinue reading “What I learned about pitching at the London Book Fair”